Message from Space (1978) review

Any spectator who perseveres, swallowing all the visual discordances and false notes, will eventually finds pleasure in the action and effect-rich finale.

One Percenter (2023) review

Yamaguchi delivers a love-letter to down-to-earth action that proves that there is plenty of poetry to be found in the physical action-performances.

Rental Family (2025)

Hikari re-affirms her talent for creating uplifting and touching filmic experiences.

Blazing Fists (2025) review

Miike delivers a drama of hope, a narrative that shows, in a satisfying manner, that a subject can materialize himelf within in the ring and by punching and kicking the demeaning discourses concerning criminality within the Japanese Other into shreds.  

My Sunshine (2024) review

A bittersweet celebration of youth – seishun, celebrates the importance of the encounter and of desire, the force that pushes the subject towards inter-subjective connection.

Teki Cometh (2024) review [Camera Japan Festival]

A vivid and mesmerising experience that does not only illustrates the subjective impact of increased isolation on giving meaning to one’s own life – on the stability of the frame of one’s ego.

Evil Does not Exist (2023) review

Ryusuke Hamaguchi offers a highly meditative exploration of the position of violence within the natural Real and the human symbolic, the realm of speech.

8 films to watch in preparation for Ghost of Yotei

In this short article, we want to introduce people, who are new to the Japanese cinema, to a few easily accessible films to prepare themselves for the game and immerse themselves in the themes that the game will explore.

Truth or Lies (2025) review [OAFF 2025]

An incredibly satisfying film that does not merely show that subjects need the lie but also that it is, by virtue of fiction, that our signifiers have effects on the other.