[a] rich psychological reflection on fundamentally flawed subjects and the way in which they deal with loss. (…) In short, (…) a masterpiece.”


Almost every cinematographical narrative that Nishikawa has crafted up until now – with Dear Doctor (2009) as exception – has concerned family and relations related to a family context. But on a more fundamental level, Nishikawa’s main focus has been the discrepancy subjects display between what is inside (uchi) and what is outside (soto).

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