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Psychocinema: psychoanalysis meets Japanese cinema

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Tag: Daisuke Miyagawa

Goodbye Cruel World (2022) review [Japannual 2022]

“A stylish exploration of the cruel call for destruction that structures the perverse criminal field.”

The Fable: The Killer who Doesn’t Kill (2021) review [Camera Japan Festival]

“A satisfying sequel that fans of Fable’s first outing should not pass this up.”   

The Fable (2019) review [Camera Japan Festival]

“Kan Eguchi succeeds in composing an action-narrative that, by hitting all the necessary beats, ensures the spectator’s enjoyment.”

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Special Links

  • onderhond [Niels Matthijs]
  • Third Window Films
  • Windowsonworlds [Hayley Scanlon]

Psychoanalysis

  • Blog Stijn Vanheule
  • New Lacanian school
  • Psychoanalysis university Ghent
  • WAP (World association of psychoanalysis)

Japanese artists

  • Araki Nobuyoshi
  • Rokudenashiko
  • Yayoi Kusama

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