Kokuho (2025) review

A deeply moving experience that does not only offer the spectator a mesmerizing and deeply intimate celebration of the performative art of kabuki, but also unearths the radical subjective dimension of embodying and performing a role.

My Sunshine (2024) review

A bittersweet celebration of youth – seishun, celebrates the importance of the encounter and of desire, the force that pushes the subject towards inter-subjective connection.

Teki Cometh (2024) review [Camera Japan Festival]

A vivid and mesmerising experience that does not only illustrates the subjective impact of increased isolation on giving meaning to one’s own life – on the stability of the frame of one’s ego.

Hell Dogs (2022) review

For the hardened fan of the genre, Harada’s newly bottled old wine will be a frustrating experience that delivers nothing more than a sprinkle of excitement.