Baby Assassins: Good Days (2024) review [Fantasia Film Festival]

Yugo Sakamoto successfully mixes up the formula that structured his previous two action narratives. Highly Recommended.

I Was Born, But … (1932) review

What allows Ozu’s exploration of parental failure to retain its power to charm and engage is the very fact that every child needs to go through such phase.

Wash Away (2024) review [OAFF 2024]

A pleasant narrative that offers a fresh but familiar exploration of the subject’s fundamental desire for recognition/love and the problematic yet medicative function of consumption.

Monster (2023) review

Kore-eda succeeds in delivering an utterly engaging narrative about the fundamental misunderstanding that underpins our fabrication of our truth.

Amiko (2022) review [Japan Cuts 2023]

A fabulous narrative that explores the destructive effects caused by the radical misunderstanding that marks the field of speech and the refusal to speak to one’s child as a subject.

Man Who Causes A Storm (1957)

Inoue’s rags-to-riches narrative might not escape the territory of predictability, but he puts enough thematical meat on the table so that the spectator, in full knowlegde of how the narrative will unfold, still comes away fully satisfied.