Wash Away (2024) review [OAFF 2024]

A pleasant narrative that offers a fresh but familiar exploration of the subject’s fundamental desire for recognition/love and the problematic yet medicative function of consumption.

Monster (2023) review

Kore-eda succeeds in delivering an utterly engaging narrative about the fundamental misunderstanding that underpins our fabrication of our truth.

Amiko (2022) review [Japan Cuts 2023]

A fabulous narrative that explores the destructive effects caused by the radical misunderstanding that marks the field of speech and the refusal to speak to one’s child as a subject.

Man Who Causes A Storm (1957)

Inoue’s rags-to-riches narrative might not escape the territory of predictability, but he puts enough thematical meat on the table so that the spectator, in full knowlegde of how the narrative will unfold, still comes away fully satisfied.  

Motherhood (2022)

An enjoyable and engaging exploration of the destructive impact of a subject’s fixation on gaining the (m)Other’s love and that the often-ignored truth that becoming a mother is not that self-evident.

Pure Japanese (2022) review

Matsunaga’s narrative lacks the glue that would put all the parts fluidly together and create a truly impactful action experience.

Call Me Chihiro (2023) review

What makes Imaizumi’s narrative a pleasant and such an emotional watch is the fine balance he found between waves of light-heartedness and the forlorn aftertaste that remains after bonds unravel.