Break Free (2026) review [Fantasia Film Festival]

A pleasant Rocky-like dance-narrative, yet Nakamoto struggles to develop his promising concept into an emotionally satisfying experience.

The Blood Of Rebirth (2009) review

Toyoda transforms the folkloric tale of Oguri Hangan into a personal warning for the Other: I will not let you ‘kill’ my societal position as director.    

Sana (2023) review

Takashi Shimizu cannot avoid his film from being held back from the fan-service it needs to deliver.

Suzuki=Bakudan (2025) review

A thrilling ride that brutally confronts the spectator with the effects of the over-emphasis of pleasure and consumption within social interactions on the subject

Party 7 (2000) review

Ishii elevates the staging of the truth of the phallus with many moments of refined interactional absurdity and a finale that, in an inimitable fashion, exposes lack and castration.