A classic – a jidai-geki that every cinephile should see.
Category: Social critique
Conflagration (1958) review
A narrative that serenely depicts the possible outcome of a subject’s failure to find, in a post-war landscape, someone to carry the Name-Of-The-Father.
I Am What I Am (2022) review [Nippon Connection 2023]
Toko Miura, with her layered performance, gives the emotional struggle of her character its genuine flavour.
Journey (2022) review [Skip-City International D-Cinema Festival]
Shogo offers an evocative and bleak experience that forces us to question the current state of our societal field.
Plan 75 (2022) review
Hayakawa hauntingly confronts the spectator with what would happen if the existence of the subject was radically reduced by the government to how much he/she financially contributes to the society.
Distant Thunder (2022) review [Skip City International D-Cinema Festival]
A strangely mesmerizing sci-fi slice-of-life narrative
GO (2001) review
An exquisite structured exploration of how fictions of nationality fracture and shape they societal field as well as the subjects subject to it and the relational dynamics they establish.
People Who Talk to Plushies Are Kind (2023) review [OAFF 2023]
Kaneko convincingly shows that the symptomatic usage of the plushie attempts to repair the tensive bond with the Other or subdue its overbearing presence.
The Burden Of The Past (2023) review [OAFF 2023]
With his latest drama film, Funahashi’s delivers a contender for this year’s best Japanese film.
Mothra vs. Godzilla (1964) review [The Godzilla Project]
A splendid Godzilla narrative that does not only delivers Kaiju action in a satisfying and engaging way but also continues the questioning of the blossoming of the capitalistic logic within Japanese societal field and the state of the post-war atomic truth in a constructive way.
New Religion (2022) review
A splendid horror-drama narrative that will keep the spectator on the edge of his seat from start to finish.
MAD CATS (2023) review
A dose of cinematic pleasure that does not only provides the laughs but also engages the spectator with well-choreographed action.
Rageaholic (2022) review
“A great dystopian narrative that clearly gives expression the director’s fear of certain right-wing tendencies that linger within Japanese society.”
Godzilla (1954) review [The Godzilla Project]
A timeless classic monster movie.
Kingdom of The Apes (2022) review [JFFH 2022]
Shugo Fujii proves that he is the master of indie-thrillers.