Retake (2023) review

A heartwarming exploration of time as what creates the possibility for the signifier, enunciated or left unsaid, to sort reparative effects on the subject and his relations to others.

Woman From The Sea (1959) review

Kurahara offers a fresh take on the sun-tribe genre by disrupting the tale of post-war subjective emptiness with an element of horror – the sudden appearance of an otherworldly being.

Love On Trial (2025) review

One the most honest explorations of the idol-phenomenon, touching both on the dark and the bright sides of clothing oneself with an idol-image for the male other

Love Letter (1995)

Iwai’s film is not one of the greatest Japanese romance narratives, but one of the greatest films of becoming able to love again. 

Blue Boy Trail (2025) review [Nippon Connection 2026]

Kasho Iizuka delivers a heartfelt demand to the spectator to go beyond the mere societal and ideological question of gender and consider the right of the subject to carve out his own singular space of ego-contentment.

The Snow Woman (1968)

Tokuzo Tanaka’s film remains, up until this day, an incredibly satisfying tragic romance-horror.

Analog (2023) review

Takahata gives the spectator a chance to re-appreciate the joys and sorrows of ‘analog’ interactions, in the formation of connections without the support of digital interconnectivity