New Religion (2022) review

A splendid horror-drama narrative that will keep the spectator on the edge of his seat from start to finish.

Birds Without Names (2017) review

“Shiraishi is not only able to confront the spectator with the perverse side-effects of a patriarchal phallic societal Other – i.e. male opportunism, but also reveals, in an extremely moving finale, that even within such problematic Other love remains a possibility.”

Noise (2022) review

A highly satisfying experience that delivers suspense as well as good dose of touching emotionality.

Love Nonetheless (2022) review

A modern classic about the beauty of being in a state of desiring and the impact a phallic injury can have on the ability of a subject to fall in love.