In Her Room (2022) review

For those who succeed in looking past the phallus during Ito’s narrative will find a renewed respect of the complexity of the feminine position.    

Yoko (2023) review

A complex full-bodied filmic wine that cannot but stir the spectator’s emotions.

Undercurrent (2023) review

Imaizumi delivers an engaging but understated emotional experience that explores the deceptive nature of imaginary veil that binds two subjects together.