Good Luck (2025) review [OAFF 2025]

Shin Adachi utilizes the dynamic of the encounter to examine the problem of desiring within the societal field and the way desire give rise to misunderstanding between subjects.

In Her Room (2022) review

For those who succeed in looking past the phallus during Ito’s narrative will find a renewed respect of the complexity of the feminine position.    

Yoko (2023) review

A complex full-bodied filmic wine that cannot but stir the spectator’s emotions.

Undercurrent (2023) review

Imaizumi delivers an engaging but understated emotional experience that explores the deceptive nature of imaginary veil that binds two subjects together.