One Day, A woman (2022) review [JFFH 2022]

“Mihiro Kaneko’s incredibly rich performance does not only engages the spectator from start to finish, but allows Yuko’s subjective turmoil, her flight from the societal Other, and her search for an Other that, by lying beyond, can offer salvation to attain its compelling genuineness.”

Homunculus (2021) review

“A worthy attempt to offer something fresh to the horror-table, but Shimizu struggles to blend the many pleasing parts into a whole that truly engages and pleases the spectator.”