“A meditative and intimate masterpiece with a rich but challenging intertextuality.”
Category: Psychological
Suicide Forest Village (2021) review
“A mystery-horror experience that is, in all aspects, better than ‘Howling Village’.”
Parasites In Love (2021) review
“One of the most original romance narratives of the year.”
We Couldn’t Become Adults (2021) review
“An elegant and moving exploration of a how certain subjects unwillingly compose their own romantic failures.”
Wheel of Fortune and Fantasy (2021) review
“An essential viewing for all who holds the art of cinema dear.”
Remain in Twilight (2021) review [Camera Japan Festival]
“Matsui delivers another masterpiece that will long linger in the spectator’s mind.”
Mari and Mari (2021) review [Japan Cuts 2021]
“A beautiful narrative that seems to bear no relation to our romantic life at first, but ultimately hits close to home.”
Call For Dreams (2018) review
A visual experience that is not only about style and artfulness.
A Girl Missing (2020) Review
A nuanced but moving exploration of the destructive power of the media, the danger of leaving things unsaid, and the fact that mundane or empty speech is, by its reliance on the imaginary dimension, structured by misrecognition.
Hotel Iris (2021) review [Osaka Asian Film Festival]
“An artfully composed erotic narrative that plays with the well-known psychoanalytic fact that the relational past of subjects impacts the possibility and appearance of sexual attraction between a man and a woman.”
B/B (2020) review [OAFF 2021]
“Nakahama succeeds in delivering his message concerning the human tendency to misrecognize the traumatic pain of others in a fresh and touching manner.”
Yes, Yes, Yes (2021) review [OAFF 2021]
“A raw and powerful drama narrative that confronts the spectator with the inherent difficulty of accepting the loss of a loved one.”
The Temple of Wild Geese (1962) review
Kawashima stages this Freudian exploration of unconscious desires with an extraordinary compositional artistry.
Red Post on Escher Street (2020)
Sion Sono does not only offer an eloquent celebration of the beauty of the crazy little thing called desire, but also delivers a truly powerful encouragement for the contemporary subject to unshackle himself from the societal or psychological imposed restrictions and fight for his/her desire.
Mother (2020) review
In a languid but highly transparent way, Ohmori confronts the spectator with the subjective and interpersonal ravage the insatiable desire for love and the need for a proof of the other’s love eventually causes.
psycho-cinematography 