Red Post on Escher Street (2020)

Sion Sono does not only offer an eloquent celebration of the beauty of the crazy little thing called desire, but also delivers a truly powerful encouragement for the contemporary subject to unshackle himself from the societal or psychological imposed restrictions and fight for his/her desire.

Mother (2020) review

In a languid but highly transparent way, Ohmori confronts the spectator with the subjective and interpersonal ravage the insatiable desire for love and the need for a proof of the other’s love eventually causes.

Voices in The Wind (2020) review [Japan Cuts 2020]

“a slow but beautiful meditation on the necessity for the subject to utilize the signifier – i.e. to speak with others and to the Other – to start the process of subjectifying the loss/the real that derailed them.”