Tetsuro Manno proves that he has mastered the drama-genre and shows off his ability to create a quite thematically dense experience.
Category: Psychological
Short Movie Time: But It Did Happen (2022) [Skip City International D-Cinema Festival]
Ruichi Suita offers a masterclass in using images as signifiers and concatenating them elegantly to sketch out the unaccepted truth that determines a subject’s signifiers and acts.
Convenience Story (2022) review [Fantasia Film Festival 2022]
Miki delivers a great psychological mystery narrative, yet it might not be for everyone.
One Day, A woman (2022) review [JFFH 2022]
“Mihiro Kaneko’s incredibly rich performance does not only engages the spectator from start to finish, but allows Yuko’s subjective turmoil, her flight from the societal Other, and her search for an Other that, by lying beyond, can offer salvation to attain its compelling genuineness.”
My Brother, The Android and Me (2022) review [22nd Nippon Connection]
“A compelling exploration of how certain subjects, psychotically structured, attempt to mend the problematic nature of the symbolic and the imaginary.”
Homunculus (2021) review
“A worthy attempt to offer something fresh to the horror-table, but Shimizu struggles to blend the many pleasing parts into a whole that truly engages and pleases the spectator.”
To Be Killed by a High School Girl (2022) review [OAFF 2022]
“The effective interaction between his fluid composition, the great narrative structure, and the thematical exploration of trauma and perverse fantasies ensures that the film hits all the right notes and more.”
Short Movie Review: Natsuko (2020) [OAFF 2022]
“A splendid debut by Shuna Iijima.”
Short Movie Time: Bagmati River (2022) review [OAFF 2022]
“A beautiful poetic short that elegantly plays with the contrast between life and death.”
Nanami: The Inferno of First Love (1968) review
“Hani’s narrative is not only be the best film of Susumu Hani, but also one of the best films of the sixties.”
Intimate Stranger (2022) review
“A splendid narrative that dares to explore how problematic mothers can be for their children.”
No Call No Life (2021) review
”While not perfect by any means, Igashi still delivers an enjoyable romance narrative.”
Drive My Car (2021) review
“A meditative and intimate masterpiece with a rich but challenging intertextuality.”
Suicide Forest Village (2021) review
“A mystery-horror experience that is, in all aspects, better than ‘Howling Village’.”
Parasites In Love (2021) review
“One of the most original romance narratives of the year.”
psycho-cinematography 