Golden Kamuy (2024) review

Shigeaki Kubo reaffirms that he has the skill and talent to bring action-driven narratives to life in a satisfactorily way.

Undead lovers (2024) review

Matsui delivers a heartwarming romance narrative that, due to its fresh approach to certain tropes of the genre, rises above the common derivative romance drivel Japan usually produces.

Call Me Chihiro (2023) review

What makes Imaizumi’s narrative a pleasant and such an emotional watch is the fine balance he found between waves of light-heartedness and the forlorn aftertaste that remains after bonds unravel.

Usogui (2022) review

‘Usogui’ got 99 problems, but the manga-like appearances of the characters ain’t one.