This sequel lacks the impact of Honda’s classic, but Oda’s narrative does deliver enough action and destruction to satisfy any Kaiju fan.
Category: Kaiju film
Godzilla (1954) review [The Godzilla Project]
A timeless classic monster movie.
What To Do With Dead Kaiju (2022) review [Fantasia Film Festival 2022]
“An extremely well-structured genre-blend that does not only provides the laughs and giggles with its pleasant political satire, but also allows the spectator to immerge himself into the tension that mark the attempts of dealing with the carcass.”
Shin-Ultraman (2022) review [Fantasia Film Festival]
Higuchi and Anno deliver an impressive love letter to their childhood, yet their devoted love, which is sensible in every aspect of the narrative, might not be able reach those who do not call themselves fans.
Godzilla, Mothra, and King Ghidorah: Giant Monsters All-Out Attack (2001) review
“GMK’s main success lies in its ability to truly speak to the imagination of the spectator – something the recent Hollywood efforts have struggled to accomplish.”
Talks with writers: Norman England (Behind the Kaiju Curtain, 2021)
“A enlightening chat with Norman England, the author of “Behind The Kaiju Curtain” (2021)”
Daimajin (1966) review
“A wonderful and refreshing blend between the jidai-geki/chanbara and the kaiju genre.”
Gamera 3: Revenge of Iris (1999) review
Gamera 3: Revenge of Iris is, without a doubt, the best film of the Heisei Gamera trilogy.
Gamera 2: Attack of Legion (1996)
A great sequel that delivers everything what Kajju fans desire, but in a less thrilling manner than the first reboot film did.
Gamera: Guardian of the Universe (1995) review
A successful reboot that succeeds in honouring Gamera’s classic past, while also evolving this iconic Kaiju in a meaningful way.
psycho-cinematography 