A great narrative that is marred by budget and time-constraints.
Category: Kaiju film
Ghidorah, the Three-Headed Monster (1964) review [The Godzilla Project]
A pleasant kaiju film that, nevertheless, constitutes a radical thematical break with the previous narratives.
Rodan (1956) review [The Godzilla Project]
Honda delivers a bleak and disconcerting outlook on the optimistic post-war reparative economic growth.
Mothra vs. Godzilla (1964) review [The Godzilla Project]
A splendid Godzilla narrative that does not only delivers Kaiju action in a satisfying and engaging way but also continues the questioning of the blossoming of the capitalistic logic within Japanese societal field and the state of the post-war atomic truth in a constructive way.
Mothra (1961) review [The Godzilla Project]
By elegantly using the kaiju Mothra, Honda warns the Japanese spectator of the destructive societal effects that the blind adoption of unrestricted capitalism and wild consumption can cause.
King Kong vs. Godzilla (1962) review [The Godzilla Project]
A splendid Godzilla narrative that delivers thrilling kaiju action while elegantly exploring the impact of the rise of capitalism and consumerism on Japanese society and the traumatic truth it does not want to accept.
Godzilla Raids Again (1955) review [The Godzilla Project]
This sequel lacks the impact of Honda’s classic, but Oda’s narrative does deliver enough action and destruction to satisfy any Kaiju fan.
Godzilla (1954) review [The Godzilla Project]
A timeless classic monster movie.
What To Do With Dead Kaiju (2022) review [Fantasia Film Festival 2022]
“An extremely well-structured genre-blend that does not only provides the laughs and giggles with its pleasant political satire, but also allows the spectator to immerge himself into the tension that mark the attempts of dealing with the carcass.”
Shin-Ultraman (2022) review [Fantasia Film Festival]
Higuchi and Anno deliver an impressive love letter to their childhood, yet their devoted love, which is sensible in every aspect of the narrative, might not be able reach those who do not call themselves fans.
Godzilla, Mothra, and King Ghidorah: Giant Monsters All-Out Attack (2001) review
“GMK’s main success lies in its ability to truly speak to the imagination of the spectator – something the recent Hollywood efforts have struggled to accomplish.”
Talks with writers: Norman England (Behind the Kaiju Curtain, 2021)
“A enlightening chat with Norman England, the author of “Behind The Kaiju Curtain” (2021)”
Daimajin (1966) review
“A wonderful and refreshing blend between the jidai-geki/chanbara and the kaiju genre.”
Gamera 3: Revenge of Iris (1999) review
Gamera 3: Revenge of Iris is, without a doubt, the best film of the Heisei Gamera trilogy.
Gamera 2: Attack of Legion (1996)
A great sequel that delivers everything what Kajju fans desire, but in a less thrilling manner than the first reboot film did.
psycho-cinematography 