A powerful plea for more support for female directorial talent and for more Japanese narratives that explore female subjectivity, question the nature of the sexual relationship, and investigate the effects society has on women and their subjectivity.
Category: Indie
Noise (2017) [Final version] review
“This questioning, framed with thoughtful cinematography and brought to life by deeply nuanced performances, will long linger in the spectator’s mind.”
Mechanical Telepathy (2018) review
Igarashi Akiko does prove herself to be a new fresh voice in the Japanese sci-fi genre
Domains (2019) review [IFFR 2019]
“Kusano is able to evokes nothing other than the very fact that one’s subjective truth is ever constructed in cyclic retro-active way.”
Keita Never Die (2018) review
“This indie genre-bender is still a narrative worth checking out.”
Special Report: meeting with Macoto Tezka.
“The visual as aesthetic is as important for Tezka’s subjectivity as it was for his father’s subjectivity.”
Ten Years Japan (2018) review
“And while these alarming narratives might not be able to agitate Japanese politicians, [these narratives] is still a moving warning that everyone should see.”
Tourism (2018) review
“So while Miyazaki’s talent is evident at various instances in the narrative, he is, due to the aforementioned constraints, not able to exploit his strengths in cinematography and narrative.”
Siblings of the Cape (2018) review [31th TIFF)
‘The narrative dares to confront the spectator with a question that is nothing other than a dilemma. ‘
キャストと監督と話し合い: 天然☆生活 [日本語]
“Yuriko Suzukiは私の妻なので、意見の相違があっても離婚はせずに、納得できるまで粘ります.”
