Oscillation (2026) review [Japannual 2026]

A simple minimalistic body-horror that puts the contemporary frailty of social bonds into question.

Kinki (2025) review

Koji Shiraishi offers a pleasant horror-experience that successfully plays with the spectator’s expectations yet he forgets to create a truly satisfying finale.

Woman From The Sea (1959) review

Kurahara offers a fresh take on the sun-tribe genre by disrupting the tale of post-war subjective emptiness with an element of horror – the sudden appearance of an otherworldly being.

The Snow Woman (1968)

Tokuzo Tanaka’s film remains, up until this day, an incredibly satisfying tragic romance-horror.

Sana (2023) review

Takashi Shimizu cannot avoid his film from being held back from the fan-service it needs to deliver.