“A visually enticing narrative that elegantly explores the unresolvable tension between the societal Other and the subject.”
“Masayuki’s celebration of cinematic history deeply satisfies the spectator’s desire to see cinema as an experience that can touch our being and the art of the benshi triumph.”
Introduction Kota Takeuchi is man of many creative talents, but whatever he does – be it painting, filming, or sculpting – it is related to historical or contemporary topics. He is most renowned as being the representative of the man of the iconic webcam performance Finger Pointing Worker (2011). In his latest short, he explores…
A tremendous achievement [that succeeds in calling] forth orth certain (indigestible) truths concerning the Japanese imperialistic Other.
Imamura’s ‘Black Rain’ is, without a doubt, one of the most important films about the atomic bomb ever made and should be mandatory viewing for anyone who holds the promise of world peace dear.
“Sakaguchi reveals that what truly stirs the imagination of the spectator is not shining special effects, but true skill and physicality of the actor’s presence.”
“Not only the most important movie made by Obayashi but also the most important Japanese movie of the last decade.”
“A somewhat atypically packaged jidai-geki, that provides everything one should expect of a contemporary mainstream jidai-geki.”
“A narrative that, when all is said and done, fails to realize its potential to move the spectator. “
“Hiraishi beautifully and touchingly evokes that cinema can always fails one’s subjective struggle. “
“Zeze movingly reveals that the ground for true revolution should be love and its goal the realization of that place where a woman can realize her agency as subject.”