“A beautiful narrative that explores the mental and societal obstacles that litter the path of those subjects who suddenly need to grieve the loss of loved ones with a refined elegance and a pleasing naturalism.”
Category: Tokyo International Film Festival
A Man In God’s Country (2020) review
“A visually pleasing narrative that explores, with a refined irony, the very problematic dimensions of nationalism.”
Underdog (2021) review
“Take’s film powerfully shows that the heroism of the art of boxing lies in the very subjective meaning that power the jabs, the hooks, and the uppercuts.”
True Mothers (2020) [TIFF 2020]
“A beautiful and emotionally rich meditation on the complex notion of motherhood, underlining, in a touching way, that the first essential step in becoming mother is the subjective assumption of the signifier mother.”
Along The Sea (2021) review
An amazing and highly relevant narrative that succeeds in exposing the dark exploitative and de-subjectifying tendencies of Japanese society.
Malu (2020) review [33th Tokyo International Film Festival]
With ‘Malu’, Edmund Yeo proves that he is a master visual poet of the mundane and of the ‘cruel’.
psycho-cinematography 