“Kusano is able to evokes nothing other than the very fact that one’s subjective truth is ever constructed in cyclic retro-active way.”
Category: IFFR
Japanese highlights at IFFR 2019.
While IFFR, like every year, has an amazing selection of world cinema to enjoy, we want to underline the Japanese highlights of this year.
The Hungry Lion (2017) review
“A confronting narrative (…), [exploring] the power of the imaginary and the destructive effects this imaginary can have on the position of the subject within society (…), that is now needed more than ever. “ Introduction If there is one contemporary Japanese director that is socially engaged, it is Ogata Takaomi. He proved this engagement with…
