Tanada offers a compelling exploration of the emotional turmoil a female subject caused by the sudden death of someone important.
Category: Fantasia Festival
The Pass: Last Days Of The Samurai (2022) review [Fantasia Film Festival]
A very engaging samurai narrative that does not only offer an intriguing glance at one of the most important crossroads of Japanese history, but also a melodramatic exploration of one subject’s function in it.
Convenience Story (2022) review [Fantasia Film Festival 2022]
Miki delivers a great psychological mystery narrative, yet it might not be for everyone.
What To Do With Dead Kaiju (2022) review [Fantasia Film Festival 2022]
“An extremely well-structured genre-blend that does not only provides the laughs and giggles with its pleasant political satire, but also allows the spectator to immerge himself into the tension that mark the attempts of dealing with the carcass.”
The Fish Tale (2022) review [Fantasia Film Festival]
A very heart-warming and touching narrative that shows that a subject does not necessarily need to make use of the neurotic solution to inscribe himself within the societal fabric.
Shin-Ultraman (2022) review [Fantasia Film Festival]
Higuchi and Anno deliver an impressive love letter to their childhood, yet their devoted love, which is sensible in every aspect of the narrative, might not be able reach those who do not call themselves fans.
The Mole Song: Final (2021) review [Fantasia Film Festival]
Miike’s narrative delivers everything a fan of the previous narratives desires and even succeeds in inviting newcomers to delve into Reiji’s past exploits.
Five Films Not To Miss [Fantasia Film Festival 2022]
Let us present 5 Japanese films that should already be high on your to-watch list.
Kakegurui 2: Ultimate Russian Roulette (2021) review [Fantasia Festival 2021]
“Hanabusa’s second outing proves to be as enjoyable and thrilling as the first.”
Georama Boy Panorama Girl (2020) review [Fantasia Film Festival]
‘Seta’s poetically composed narrative blows a fresh breeze into the ‘traditional’ Japanese romance genre.’
Dreams of Fire (2021) review [Fantasia Film festival]
“McKie’s film is not only the best dance-film of recent years but might very well be one of the best Japanese films to be released this year.”
Jigoku-no-hanazono ～Office Royale～ (2021) review [Fantasia Film Festival]
“An absurd and crazy cocktail full of violence and funny twists and unexpected turns.”
Tokyo Revengers (2021) Review [Fantasia Film Festival]
“An exciting blend of satisfying violence, tensive moments, surges of pleasing lightheartedness, and touching emotional moments.”
Follow The Light (2021) review [Fantasia Festival 2021]
The narrative might not offer anything new at a thematical level, but stands out due to his refusal to spell things out and, instead, imply certain subjective truths via elegant and naturalistic poetic moments.
Fuku-chan of Fukufuku Flats (2014) review [Fantasia 2020]
“With his low-key dramedy, one will laugh, one will tear up, but above all, one will come to understand that matters of romance always require a leap of faith.”
psycho-cinematography 