Yoshitaka Kamada exploits this ‘realization’ to underline the importance of loosening one fixation with the Other and his ideals and sewing together an ideal ego that is worth chasing until death’s door is reached.
Category: Camera Japan Festival
Unchained (2026) review [Camera Japan Festival 2026]
With his latest narrative, Keisuke Yoshida (Blue (2021)) turns a cinematic glance at juvenile delinquency. Yet, what urged him to tackle this societal symptom was not simply an interest, but the need to question the societal environment he grew up in and offer this result of elaboration to the audience. While Keisuke Yoshida saw…
Gosh!! (2025) review [Camera Japan Festival 2026]
Odagiri Jo offers a healthy dose of comical absurdity, a dose that the contemporary subject regularly needs.
Street Kingdom (2026) review [Camera Japan Festival 2026]
“Punk cinema for those who never knew they needed the spirit that fuelled it.”
Camera Japan Festival 2026: Our recommendations
Do you not yet know which Japanese film to give a chance at the Camera Japan Festival? Let us guide you.
The Young Strangers (2024) review [Camera Japan Festival 2025]
Uchiyama delivers a masterpiece that does not merely grab the spectator by his throat, but confronts him with the fundamental importance of the signifier in a heartrending way.
How Dare You? (2025) review [Camera Japan Festival]
With her narrative, Mipo O delivers one of the most convincing arguments to parents to create space for the subjectivity of their child and to take their signifiers – their pleasures, pressures, worries, fights, and frustrations – seriously.
The Man Who Failed To Die (2025) review [Camera Japan Festival]
Seiji Tanaka refuses to colour within the lines of comedy, creating an eclectic collage of different genre-elements that does not fail to satisfy the spectator.
The Killer Goldfish (2025) review [Camera Japan Festival]
An absurd brutal supernatural fantasy that has the potential to become a cult-favourite.
Let’s Go Karaoke (2024) review [Camera Japan Festival]
This is perfect film for anyone who, after a long day full of struggles, wants to sit in a comfy chair and relax.
The Box Man (2024) review [Camera Japan Festival]
An incredible satisfying cinematic experience, one that enthrals the spectator from start to finish
Afternoon Angler’s club (2023) Review [Camera Japan Festival]
Hideo Jojo’s heartwarming tale of subjective growth and salt-water fishing is a pleasant watch.
Bushido (2024) review [Camera Japan Festival]
Kazuya Shiraishi proves that the frame of the samurai and the Edo society can still be utilized to deliver refreshing narratives.
Ripples (2023) review [Camera Japan Festival]
With her quirky sense of humor, she delivers one of the most illuminating explorations of the effect the gap between the imaginary equilibrium of the ego and the hidden broiling subjective discord has on relational functioning.
Life of Mariko in Kabukicho (2023) review [Camera Japan Festival]
Katayama and Uchida does not merely offer a glance at the relational drama that hides behind the neon-lit night-life and pleasure district, but also delivers a narrative that hits all the right emotional notes.