Tokyo Vampire Hotel (2017) review

“Sion Sono’s poetry questions enjoyment and its function within contemporary Japanese society with ultra-violent precision. This is, in other words, Sion Sono at its finest.” 

The Hungry Lion (2017) review

“A confronting narrative (…), [exploring] the power of the imaginary and the destructive effects this imaginary can have on the position of the subject within society (…), that is now needed more than ever. “ Introduction If there is one contemporary Japanese director that is socially engaged, it is Ogata Takaomi. He proved this engagement with…