Tetsuro Manno proves that he has mastered the drama-genre and shows off his ability to create a quite thematically dense experience.
Category: Festivals
Short Movie Time: But It Did Happen (2022) [Skip City International D-Cinema Festival]
Ruichi Suita offers a masterclass in using images as signifiers and concatenating them elegantly to sketch out the unaccepted truth that determines a subject’s signifiers and acts.
Tamano Visual Poetry: Nagisa’s Bicycle (2022) review [Camera Japan Festival]
Despite delivering three engaging and visually beautiful narratives, the short nature of overall narrative undercuts the impact the movie could have had.
Goodbye Cruel World (2022) review [Japannual 2022]
“A stylish exploration of the cruel call for destruction that structures the perverse criminal field.”
In The Distance (2022) review [Japannual 2022]
“A very pleasant slice-of-life narrative that elegantly shows that bonds between subjects are that much more genuine if they are grounded in the acceptance of the other’s radical difference.”
Two On The Edge (2022) review [Japannual 2022]
“A touching experience that highlights that the desire to be loved, for better or worse, is the ulitmate guide the neurotic subject within the societal field.”
Bad City (2022) review [Camera Japan Festival]
Sonamura delivers everything one expects from an action-thriller.
Riverside Mukolitta (2022) review [Camera Japan Festival]
A highly touching narrative about re-finding social life.
Nagi’s Island (2022) review [Camera Japan Festival]
The power of Nagasawa’s narrative does not simply lie in the engaging emotional rhythm, as dictated by the musical decorations, but in the genuineness that oozes from every interaction.
Prior Convictions (2022) review [Camera Japan Festival]
“A very relevant exploration of the fact that the criminal act is, in many cases, born from an antagonistic relation between the subject and the Other.”
Alivehoon (2022) review [Camera Japan Festival]
Shimoyama hits all the common beats of the sports-genre, but succeeds in elevating his exploration of the art of drifting by framing the battling cars in an exciting and mesmerizing way.
It’s All My Fault (2022) review [Camera Japan Festival 2022]
A touching narrative that explores how difficult it is for subject to assume a place for himself, a place from where he/she can desire, without the structuring influence of motherly love.
Straying (2022) review [Camera Japan 2022]
A pleasant and charming exploration of the fact that, within the game of love and romance and beyond, subjects often rely on acting-out to reveal to the other what they cannot put into signifiers.
Shaman’s Daughter (2022) review [JFFH 2022]
A genre mish-mash – a cocktail of light-hearted comedy, family drama, bloody thriller, and ghostly romance – that is not only pleasant but offers the spectator a rich emotional fabric to savour.
My Broken Mariko (2022) [Fantasia Film Festival]
Tanada offers a compelling exploration of the emotional turmoil a female subject caused by the sudden death of someone important.
psycho-cinematography 