Hotel Iris (2021) review [Osaka Asian Film Festival]

“An artfully composed erotic narrative that plays with the well-known psychoanalytic fact that the relational past of subjects impacts the possibility and appearance of sexual attraction between a man and a woman.”

Ito (2021) review [OAFF 2021]

“A charming exploration about the way in which the other allows a drifting subject to moor his desire and find a direction for his subjectivity within the Other.”

B/B (2020) review [OAFF 2021]

“Nakahama succeeds in delivering his message concerning the human tendency to misrecognize the traumatic pain of others in a fresh and touching manner.”

True Mothers (2020) [TIFF 2020]

“A beautiful and emotionally rich meditation on the complex notion of motherhood, underlining, in a touching way, that the first essential step in becoming mother is the subjective assumption of the signifier mother.”

Along The Sea (2021) review

An amazing and highly relevant narrative that succeeds in exposing the dark exploitative and de-subjectifying tendencies of Japanese society.

Aristocrats (2021) review [IFFR 2021]

Beautifully evokes how women become victim of the traditional patriarchal elite and how subjective happiness is not found in the mere acceptance of one’s own exploitation

Sexual Drive (2021) [IFFR 2021]

An amazing and unconventional narrative that not only explores the eroticism of the oral drive in an enticing and visually pleasing way, but also succeeds to touch, in a lighthearted way, upon the complexity of sexual desire as such.