Sakura (2020) review [Japannual 2020]

“A great narrative that does not only show that family happiness is but a semblance – behind the smiles hides pain and sadness – but also the very fact that the subject can only grasp his present subjective state by narrativizing (and, in many cases idealize) his past.”

The Other Home (2018) review [Camera Japan 2020]

Nishikawa shows, in a heartwarming way, that while there is a need to identify ourselves somewhat with the ideal image of our significant other, such identification should not be at the expense of our subjective position.

It comes (2018) review

“A wonderful exploration of dysfunctional familial bonds and the destructive impact narcissism has on human relations.”