Blind woman’s curse (1970) review

“Pleasure (…) is to be extracted from the visuals (…) so beautifully framed by the cinematography, and from the way Meiko Kaji with her mesmerizing performance synthesizes the narrative’s mix of genres.”


The King of Cult: Teruo Ishii. With such a prolific and eclectic career, it is no wonder that Ishii is called this way in Japan. And while his oeuvre is eclectic, a certain attraction to the more darker and the more weirder side of humanity has always guided him. This is for instance apparent in his choice to direct the 8 entries of ‘Joys of Torture’ series (1968–1973), a series investigating torture in Japan in a historical context.

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