Abashiri Prison – Saga of Homesickness (1965)

An engaging narrative that illustrates how the image of the father can be a prison for the subject.

Abashiri Prison (1965) review

Teruo Ishii delivers an interesting exploration of the frailty of the social bond between criminals as well as the trauma that, in some cases, animates the criminal reflex.

Blind Woman’s Curse (1970) review

“Pleasure (…) is to be extracted from the visuals (…) so beautifully framed by the cinematography, and from the way Meiko Kaji with her mesmerizing performance synthesizes the narrative’s mix of genres.”