Sion Sono does not only offer an eloquent celebration of the beauty of the crazy little thing called desire, but also delivers a truly powerful encouragement for the contemporary subject to unshackle himself from the societal or psychological imposed restrictions and fight for his/her desire.
Category: Sion Sono
Tokyo Vampire Hotel (2017) review
“Sion Sono’s poetry questions enjoyment and its function within contemporary Japanese society with ultra-violent precision. This is, in other words, Sion Sono at its finest.”
Shinjuku Swan 2 (2017) review
The likability of Gou Ayano as Tatsuhiko still shines, turning the second part of Tatsuhiko’s narrative, despite being thematically different and not being refreshing at all, into an enjoyable narrative to experience.”
Shinjuku Swan (2015) review
“The likeability of Gou Ayano as Tatsuhiko and surprisingly dense narrative makes sure that Shinjuku Swan is better than your average manga-adaptation”
psycho-cinematography 