‘A classic that offers an unforgettable experience that is as touchingly lighthearted as is it disturbingly horrifying.’
“A pleasant and truly satisfying ride for the whole family.”
“A divisive exploration of the various sides of the crazy little thing called love decorated with a demented finale, which is as disturbingly violent as it is shockingly romantic.”
A heartwarming and lighthearted narrative that shows how women, within the societal device of arranged marriage as well as within the modern device of marriages out of love, can find subjective happiness.
“A great narrative, due to its emotionally gripping finale and the crystal-clear manner by which Sabu explores and uncovers the impact of a vicious environment on the way the subject inscribes itself into the social fabric.”
“A (damning) look at the vicious and unforgiven nature of the judgmental Other as well as heartwarming emotionally rich exploration of the importance of supportive inter-subjective social bonds for the subject.”
A great narrative, offering a nuanced and rich exploration of interpersonal dynamics, that ultimately fails in giving this rich tapestry of interpersonal conflict a fitting finale.
A tremendous achievement [that succeeds in calling] forth orth certain (indigestible) truths concerning the Japanese imperialistic Other.
“Ishii’s latest succeeds in showing, in a powerful and touching manner, the possibility of intercultural friendship and romance.”
“Not only a narrative about the destructiveness of male sexual opportunism, but also (a narrative) [that explores] the irreducible opaqueness of the female subject as such.”
Oshima succeeds in dissecting in a very precise way how the Other, an Other marked by patriarchy and capitalism, is able to empty the youthful subject of his ideals and dreams as well as how the rebellious protest of certain youthful subjects is, in many cases, an affirmation of the very dynamic that underpins the functioning of the Other.
“Not only does Adachi frame the societal Other as the cause of the lost state of youth and the youth’s suicidal response, but Adachi also formulates, in a truly confronting way, his hope for this lost youth to find desire in creating a different Other for tomorrow.”
Sion Sono does not only offer an eloquent celebration of the beauty of the crazy little thing called desire, but also delivers a truly powerful encouragement for the contemporary subject to unshackle himself from the societal or psychological imposed restrictions and fight for his/her desire.
His peaceful slice-of-life narrative delivers an pleasing exploration of the notion of the family secret and how guilt can drive people to pay of their imagined debt.