“We introduce our recommendations for this year’s Japan Cuts, including Labyrinth of Cinema (2019), Murders of Oiso (2019), Extro (2020), Roar (2019), and Shell and Joint (2019).”
Category: Directors
No Longer Human (2019) review
“Ninagawa’s representation of the final years of Dazai’s life is an enjoyable experience.”
Atom-bombs and world peace: Obayashi Nobuhiko (1938-2020).
“He had but one cause: to achieve world peace with the power of the cinematographical narrative.”
Small Commentaries: Friends of Japanese Indie Cinema.
A commentary of a night with friends of the Japanese indie-scene.
First Love (2019) Review
“Takashi Miike’s latest beautifully underlines that the only kind of violence worthy of humanity is a violence born out of love.”
Japanese News Flashes: Takashi Miike, Masataka Kubota, and Cinemasia Film Festival.
“Read our report of the Q&A with Takashi Miike and Masataka Kubota we attended and our introduction of the CinemAsia Film Festival. “
Death By Hanging (1968) Review
“A true classic of political driven cinema that has, maybe contrary to one’s expectations, remained as relevant as it was in the past.”
Jam (2018) review [Camera Japan Festival]
“Sabu’s splendidly structured genre-mix will surely please his fans as well as charm those who are new to his oeuvre.”
Like A Dragon (2007) review
“A clear case of a film translation gone wrong. People are, in fact, far better off playing the game.”
Kingdom (2019) review [Fantasia Film Festival]
“A solid groundwork for future installments.”
Chiwawa (2019) review [Fantasia International Film Festival]
“Ken Ninomiya reconfirms his extra-ordinary talent, proving he is truly one of a kind.”
Sadako (2019) review [Fantasia Film Festival 2019]
“The narrative works surprisingly well as an atmospheric piece of tension.”
Zan/killing (2018) review
“One of the Tsukamoto’s most accomplished narratives.”
We Are Little Zombies (2019) Review
“Nagahisa has earned himself the honour to be considered as one of the most promising directors of Japan today.”
Dawn of the Felines (2016) review
“(The narrative) fully realizes what Roman Porno stands for, offering an erotically enticing investigation of inter-subjectivity and the role of sexuality within one’s subjectivity.”
