“A true classic of political driven cinema that has, maybe contrary to one’s expectations, remained as relevant as it was in the past.”
Category: Directors
Jam (2018) review [Camera Japan Festival]
“Sabu’s splendidly structured genre-mix will surely please his fans as well as charm those who are new to his oeuvre.”
Like A Dragon (2007) review
“An idea that seemed great on paper, but turned out to be a bad one once experienced on the silver screen. In truth, people are far better off playing the game.”
Kingdom (2019) review [Fantasia Film Festival]
“A solid groundwork for future installments.”
Chiwawa (2019) review [Fantasia International Film Festival]
“Ken Ninomiya reconfirms his extra-ordinary talent, proving he is truly one of a kind.”
Sadako (2019) review [Fantasia Film Festival 2019]
“The narrative works surprisingly well as an atmospheric piece of tension.”
Zan/killing (2018) review
“One of the Tsukamoto’s most accomplished narratives.”
We Are Little Zombies (2019) Review
“Nagahisa has earned himself the honour to be considered as one of the most promising directors of Japan today.”
Dawn of the Felines (2016) review
“(The narrative) fully realizes what Roman Porno stands for, offering an erotically enticing investigation of inter-subjectivity and the role of sexuality within one’s subjectivity.”
Dynamite Graffiti (2018) review [JFFH 2019]
(A narrative that movingly) reveals the productive as well as the destructive effects a certain fantasmatic solution to the enigma of female desire can have.
