Thanc you (2021) review

A quintessential manzai-experience in a filmic envelope and a beautiful introduction to the emotional range relational comedy can have.

Party 7 (2000) review

Ishii elevates the staging of the truth of the phallus with many moments of refined interactional absurdity and a finale that, in an inimitable fashion, exposes lack and castration.

I am Baseball (2023) review

Whether you like baseball or not, his absurd love-letter to women who love baseball will shock and charm you.

She Taught Me Serendipity (2024) review

Akiko Ohku steers away from delivering a clear-cut romantic fantasy to confront the spectator with the messy consequences of utilizing signifiers in the game of love in a very moving way.

Rental Family (2025)

Hikari re-affirms her talent for creating uplifting and touching filmic experiences.

Under Ninja (2025) review

Great mindless fun, perfect to wash away the stress that has infiltrated one’s body during the week.

Golden Kamuy (2024) review

Shigeaki Kubo reaffirms that he has the skill and talent to bring action-driven narratives to life in a satisfactorily way.

Undead lovers (2024) review

Matsui delivers a heartwarming romance narrative that, due to its fresh approach to certain tropes of the genre, rises above the common derivative romance drivel Japan usually produces.