Gosh!! (2025) review [Camera Japan Festival 2026]

Odagiri Jo offers a healthy dose of comical absurdity, a dose that the contemporary subject regularly needs.

All Greens (2025) review

Takashi Koyama delivers a coming-into-being narrative that effectively and satisfactorily blends social drama, dark comedy, and musical moments.

Thanc you (2021) review

A quintessential manzai-experience in a filmic envelope and a beautiful introduction to the emotional range relational comedy can have.

Party 7 (2000) review

Ishii elevates the staging of the truth of the phallus with many moments of refined interactional absurdity and a finale that, in an inimitable fashion, exposes lack and castration.