Teki Cometh (2024) review [Camera Japan Festival]

A vivid and mesmerising experience that does not only illustrates the subjective impact of increased isolation on giving meaning to one’s own life – on the stability of the frame of one’s ego.

A Bad Summer (2025) review [Japannual 2025]

Hideo Jojo offers a compelling exploration of poverty within the Japanese societal field as well as the the structural possibility of exploiting the welfare system for one’s own gain.

Revolver Lily (2023) review

A very enjoyable action-thriller that succeeds in satisfying the spectator thirsting for exciting action-pieces.

Mukoku (2017) review

Kumakiri offers a fresh breath in the Japanese sports genre by focusing on trauma, the ill-fitting of the subject within the societal Other, and the importance of forming bonds with the other.

Shinobi no mono: Resurrection (1963)

A satisfying conclusion resolves the thematical exploration of destructive capitalistic pleasure in a satisfactorily yet maybe somewhat naive way.

A Story Written With Water (1965) review

An exquisitely layered psychological drama that unveils how a subject’s fixation on a phantasmatic image disrupts his ability to commit himself romantically to the female other

Do Unto Others (2023) review

While many spectators will shed tears at the emotional unfolding, our tears lament Maeda’s choice to go full melodrama.

Motherhood (2022)

An enjoyable and engaging exploration of the destructive impact of a subject’s fixation on gaining the (m)Other’s love and that the often-ignored truth that becoming a mother is not that self-evident.