“A highly pleasant action spy thriller that will satisfy both those hungry for exciting action and those who love a dense narrative with twist and turns.”
Category: Action
The Invisible Man Appears (1949) review
“Adachi’s mystery sci-fi film remains, after all these years, a highly entertaining narrative.”
Baby Assassins (2021) review
“One of the most satisfying Japanese action films of this year.”
Legends of the poisonous seductress: Quick-draw Okatsu (1969) review
“Nakagawa offers everything a spectator and fan has come to except from the genre: exciting action and violent exploitation.”
I Never Shot Anyone (2020) review [Camera Japan Festival]
“Sakamoto creates a nice, pleasant ride, but one that will be easily forgotten.”
The Fable: The Killer who Doesn’t Kill (2021) review [Camera Japan Festival]
“A satisfying sequel that fans of Fable’s first outing should not pass this up.”
The Great Yokai War – Guardians (2021) review [Japan Cuts 2021]
“A pleasant and truly satisfying ride for the whole family.”
Tokyo Revengers (2021) Review [Fantasia Film Festival]
“An exciting blend of satisfying violence, tensive moments, surges of pleasing lightheartedness, and touching emotional moments.”
A Beast In Love (2020) review [JFFH 2021]
“A divisive exploration of the various sides of the crazy little thing called love decorated with a demented finale, which is as disturbingly violent as it is shockingly romantic.”
Gamera 2: Attack of Legion (1996)
A great sequel that delivers everything what Kajju fans desire, but in a less thrilling manner than the first reboot film did.
Gamera: Guardian of the Universe (1995) review
A successful reboot that succeeds in honouring Gamera’s classic past, while also evolving this iconic Kaiju in a meaningful way.
Terrifying Girls’ High School: Woman’s Violent Classroom (1972) review
Norifumi Suzuki’s narrative is not only a pleasing narrative full of betrayal, cat-fights between clans, rape, extortion, and acts of revenge, but also a powerful critique against the inherent perversity of hierarchical society.
Crazy Samurai Musashi (2020) review [Fantasia 2020]
“Sakaguchi reveals that what truly stirs the imagination of the spectator is not shining special effects, but true skill and physicality of the actor’s presence.”
Inuyashiki (2018) review
“A more satisfying experience than most western super-hero narratives”.
First Love (2019) Review
“Takashi Miike’s latest beautifully underlines that the only kind of violence worthy of humanity is a violence born out of love.”
psycho-cinematography 