Yu Irie delivers a samurai narrative that, while not able to match the masterpieces of the genre, offers everything fans have come to expect from the genre.
Category: Action
Blazing Fists (2025) review
Miike delivers a drama of hope, a narrative that shows, in a satisfying manner, that a subject can materialize himelf within in the ring and by punching and kicking the demeaning discourses concerning criminality within the Japanese Other into shreds.
Under Ninja (2025) review
Great mindless fun, perfect to wash away the stress that has infiltrated one’s body during the week.
Demon City (2025) review
A fun, yet extremely forgettable experience.
The Godzilla Project: Godzilla Minus One (2023) review
A triumphant return of the most beloved Kaiju of all and a deeply emotional experience that re-assessing the themes of the original Godzilla in a refreshing way.
Golden Kamuy (2024) review
Shigeaki Kubo reaffirms that he has the skill and talent to bring action-driven narratives to life in a satisfactorily way.
Cloud (2024) review
Kurosawa delivers a biting critique of way capitalism and consumerism has transformed our subjectivity and the way we interact with others.
Ghost Killer (2025) review [Japannual 2025]
Sonomura’s narrative does little to re-invent the genre, but delivers everything one’s desires in such narratives in spades – a crowd-pleaser, indeed.
The Man Who Failed To Die (2025) review [Camera Japan Festival]
Seiji Tanaka refuses to colour within the lines of comedy, creating an eclectic collage of different genre-elements that does not fail to satisfy the spectator.
The Killer Goldfish (2025) review [Camera Japan Festival]
An absurd brutal supernatural fantasy that has the potential to become a cult-favourite.
8 films to watch in preparation for Ghost of Yotei
In this short article, we want to introduce people, who are new to the Japanese cinema, to a few easily accessible films to prepare themselves for the game and immerse themselves in the themes that the game will explore.
Red Peony Gambler (1968) review
A classic ninkyo narrative and a must-see for any cinephile.
Revolver Lily (2023) review
A very enjoyable action-thriller that succeeds in satisfying the spectator thirsting for exciting action-pieces.
Sympathy For The Underdog (1971) review
This is not merely classic that speaks to those who felt lost due to the rapid shifts that upheaved the Japanese societal field after the second world war, but continues to speak to those who feel out-of-place, who feel like Gunji unsuited for this world of ‘criminal’ suits.
Kingdom: Return of the Great General (2024) review
Shinsuke Sato knows what makes people come back to the series and delivers it in spades.