Bushido (2024) review [Camera Japan Festival]

Kazuya Shiraishi proves that the frame of the samurai and the Edo society can still be utilized to deliver refreshing narratives.

Shinobi no Mono: Band of Assassins (1962)

Yamamoto expertly utilizes the game of disguises, traps, gadgets, concealed passages, hidden stairs, and trapdoors, to offer an allegorical tale of the post-war subject’s conundrum