Hana Dama Phantom (2016) review

While all clashing fragments of eroticism, horror, and comedy come sort of together in the twisted finale, it is not enough to wash away the sourness left by the ill-fitting theatrical performances.

Take Over Zone (2019) [Camera Japan 2020]

While Yamasaki’s message is clear, the delivery of his positive message of empowerment would have more gripping and emotionally powerful for the spectator if the sound-design were on point.