An incredible tour-de-force that hits home.
Tag: writing
Red Peony Gambler: Gambler’s Obligation (1969)
What invites us to qualify Suzuki’s narrative as a classic is not simply his continuation of Yamashita’s visual adoration of Junko Fuji, but his effective transformation of the Ninkyo thread into an exploration of the transgressive nature of desire as such.
The Man Who Failed To Die (2025) review [Camera Japan Festival]
Seiji Tanaka refuses to colour within the lines of comedy, creating an eclectic collage of different genre-elements that does not fail to satisfy the spectator.
After The Fever (2024) review
It is an exhausting experience, yet an experience that, if one succeeds to make it to the end, convincingly shows that the idea of romantic harmony is but an unrealizable fantasy.
There Was A Father (1942) review
A quintessential Ozu narrative that, despite its age, still succeeds in engaging the spectator.
Blank Canvas: My So-Called Artist’s Journey (2025) review [Fantasia film Festival]
Seki offers audiences a touching fictionalized account of Akiko Higashimura’s relationship with her mentor Kenzo Hidaka.
Short Movie Time: Social Circles (2023) review [Japan Cuts 2024]
A highly experimental and conceptual experience that might not be for everyone
18×2 Beyond Youthful Days (2024) review [Nippon Connection 2024]
Fujii proves that the tropes of the romance genre can still be exploited in a refreshing and emotionally satisfying manner.
psychocinema 