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Psychoanalysis and Japanese cinema

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Tag: Toshinori Omi

Secret: A Hidden Score (2024) review [Nippon connection 2024]

Spectators who like piano and pianists might find something to enjoy in this emotionally impotent narrative.

Roleless (2022) review [Japannual 2023]

Masahiko Sato, Yutarō Seki and Kentarō Hirase offer the spectator a revealing glance at the dynamic that underpins the dissociative fugue.

The Girl Who Leaped Through Time (1983) review

The film does not merely celebrate the beauty of the transiency of being-in-love, but also powerfully stages the tragedy of the missed encounter.

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