Adachi crafted a beautiful and affectionate piece on the troubled subjectivity of a subject who choose to escape, erasing his name from the societal field, to avoid capture.
Tag: Soran Tamoto
Revolution +1 (2022) Review
Masao Adachi delivers an important political statement that, by offering an evocative sketch of Tetsuya Yamagami’s tragic trajectory, invites the Japanese spectator to question his own passivity towards the political Other.
Wonderful Paradise (2020) review [Nippon Connection 2021]
A great experiment of the absurd, but its full potential to satisfy the spectator is hindered by its somewhat lackluster composition.
Dare to Stop us (2018) review
“Hiraishi beautifully and touchingly evokes that cinema can always fails one’s subjective struggle. “
psychocinema 