Uchiyama delivers a masterpiece that does not merely grab the spectator by his throat, but confronts him with the fundamental importance of the signifier in a heartrending way.
Tag: Shodai Fukuyama
Alivehoon (2022) review [Camera Japan Festival]
Shimoyama hits all the common beats of the sports-genre, but succeeds in elevating his exploration of the art of drifting by framing the battling cars in an exciting and mesmerizing way.
psychocinema 