Kokuho (2025) review

A deeply moving experience that does not only offer the spectator a mesmerizing and deeply intimate celebration of the performative art of kabuki, but also unearths the radical subjective dimension of embodying and performing a role.

Sakura (2020) review [Japannual 2020]

“A great narrative that does not only show that family happiness is but a semblance – behind the smiles hides pain and sadness – but also the very fact that the subject can only grasp his present subjective state by narrativizing (and, in many cases idealize) his past.”