In this short article, we want to introduce two of our recommendations and four films we look forward to and you should do.
Tag: Rikiya Imaizumi
Undercurrent (2023) review
Imaizumi delivers an engaging but understated emotional experience that explores the deceptive nature of imaginary veil that binds two subjects together.
Call Me Chihiro (2023) review
What makes Imaizumi’s narrative a pleasant and such an emotional watch is the fine balance he found between waves of light-heartedness and the forlorn aftertaste that remains after bonds unravel.
Little Nights, Little Love (2019) review
“A very enjoyable and heart-warming romance narrative.”
Love Nonetheless (2022) review
A modern classic about the beauty of being in a state of desiring and the impact a phallic injury can have on the ability of a subject to fall in love.
Skeleton Flowers (2021) review
A serene narrative that touchingly explores the possibility of reaching each other as subject despite the misrecognition that structures speech.
Straying (2022) review [Camera Japan 2022]
A pleasant and charming exploration of the fact that, within the game of love and romance and beyond, subjects often rely on acting-out to reveal to the other what they cannot put into signifiers.
Top 12 Japanese films of 2021
Which films impressed us? Which films should you put on your to-watch-list? Find out in our list of best Japanese films of this year.
His (2020) review [Nippon Connection 2021]
A touching and heartwarming romance drama that captivates the spectator not only because it’s driven by romantic feelings feel genuine, but also because the truth of love is so charmingly delivered by someone not yet fully subjected to the patriarchal societal fantasy.
Over The Town (2021) review [OAFF 2021]
Imaizumi’s narrative littered with a multitude of beautifully nuanced moments of natural relation poetry.
Just Only Love (2019) Review
“A touching exploration of how un-recruited love eventually scars subjectivity.”