Undead lovers (2024) review

Matsui delivers a heartwarming romance narrative that, due to its fresh approach to certain tropes of the genre, rises above the common derivative romance drivel Japan usually produces.

Sympathy For The Underdog (1971) review

This is not merely classic that speaks to those who felt lost due to the rapid shifts that upheaved the Japanese societal field after the second world war, but continues to speak to those who feel out-of-place, who feel like Gunji unsuited for this world of ‘criminal’ suits.

Good Luck (2025) review [OAFF 2025]

Shin Adachi utilizes the dynamic of the encounter to examine the problem of desiring within the societal field and the way desire give rise to misunderstanding between subjects.

Sin And Evil (2024) review [Japannual 2024]

Saito shows that the Other always bears some responsibility for the subjective outcomes of dysfunctional familial dynamics and the criminal excesses that plague its mendacious image of peaceful harmony.