A satisfying conclusion resolves the thematical exploration of destructive capitalistic pleasure in a satisfactorily yet maybe somewhat naive way.
Tag: Raizo Ichikawa
Shinobi no Mono 2: Revenge (1963) review
Satsuo Yamamoto reveals the frailty and replaceability of the capitalistic father in an engaging way.
Shinobi no Mono: Band of Assassins (1962)
Yamamoto expertly utilizes the game of disguises, traps, gadgets, concealed passages, hidden stairs, and trapdoors, to offer an allegorical tale of the post-war subject’s conundrum
Conflagration (1958) review
A narrative that serenely depicts the possible outcome of a subject’s failure to find, in a post-war landscape, someone to carry the Name-Of-The-Father.
psychocinema 