Bad Lands (2023) review

The incredibly well-crafted narrative structure, fuelled by Sakura Ando’s extremely satisfying performance, ensures that the spectator remains engaged from start and finish

Ripples (2023) review [Camera Japan Festival]

With her quirky sense of humor, she delivers one of the most illuminating explorations of the effect the gap between the imaginary equilibrium of the ego and the hidden broiling subjective discord has on relational functioning.

Mask Ward (2020) review

“Mask Ward provides the thrills and the tension and packs enough surprises to engage and, ultimately, satisfy the spectator.”