Spectators who like piano and pianists might find something to enjoy in this emotionally impotent narrative.
Tag: Naomi Nishida
Village (2023) review
An incredibly powerful drama narrative that illustrates how toxic and destructive a societal environment can be for the subject – the persecutory dimension of the Other – and how reparative ‘inter-subjective’ signifiers can be.
Skeleton Flowers (2021) review
A serene narrative that touchingly explores the possibility of reaching each other as subject despite the misrecognition that structures speech.
We Are Little Zombies (2019) Review
“Nagahisa has earned himself the honour to be considered as one of the most promising directors of Japan today.”
psychocinema 