Yamaguchi delivers a love-letter to down-to-earth action that proves that there is plenty of poetry to be found in the physical action-performances.
Tag: Movies
Rental Family (2025)
Hikari re-affirms her talent for creating uplifting and touching filmic experiences.
Rainy Blue (2025) review [OAFF 2025]
Asuna Yanagi does not simply deliver a heartwarming coming-of-age narrative, but also a work that has the potential to inspire young people.
Dollhouse (2025) review
Yaguchi’s horror will please audiences new to the J-horror genre as well as long-time fans of the genre.
Best Japanese Movies of 2024
Discover the best Japanese flms of 2024.
Best Japanese Movies of 2023
Discover the best Japanese flms of 2023.
Undead lovers (2024) review
Matsui delivers a heartwarming romance narrative that, due to its fresh approach to certain tropes of the genre, rises above the common derivative romance drivel Japan usually produces.
Teki Cometh (2024) review [Camera Japan Festival]
A vivid and mesmerising experience that does not only illustrates the subjective impact of increased isolation on giving meaning to one’s own life – on the stability of the frame of one’s ego.
Evil Does not Exist (2023) review
Ryusuke Hamaguchi offers a highly meditative exploration of the position of violence within the natural Real and the human symbolic, the realm of speech.
The Invisible Half (2025) review [Japannual 2025]
Masaki Nishiyama’s message resounds clearly: embrace your Otherness, despite all the societal hammers seeking to hammer you, the nail that sticks out, down.
The Man Who Failed To Die (2025) review [Camera Japan Festival]
Seiji Tanaka refuses to colour within the lines of comedy, creating an eclectic collage of different genre-elements that does not fail to satisfy the spectator.
The Killer Goldfish (2025) review [Camera Japan Festival]
An absurd brutal supernatural fantasy that has the potential to become a cult-favourite.
8 films to watch in preparation for Ghost of Yotei
In this short article, we want to introduce people, who are new to the Japanese cinema, to a few easily accessible films to prepare themselves for the game and immerse themselves in the themes that the game will explore.
There Was A Father (1942) review
A quintessential Ozu narrative that, despite its age, still succeeds in engaging the spectator.
Honeko Akabane’s Bodyguards (2024) review [Fantasia Film Festival]
Ishikawa delivers an engaging narrative with some satisfying twists, many funny moments, and pleasing action-sequences.