Nakamura elegantly unpacks how the corona situation disturbs the field of desire as well how important the presence of bodies is within the societal field driven by desire.
Tag: Masao Yoshii
The Fable: The Killer who Doesn’t Kill (2021) review [Camera Japan Festival]
“A satisfying sequel that fans of Fable’s first outing should not pass this up.”
Red Snow (2019) review [Camera Japan Festival 2019]
“Those (spectators) that give the narrative a chance will become captivated by its moving evocation of the tension between speech and truth.”
psychocinema 