Sekizawa’s narrative confronts the spectator light-heartedly with the endpoint of Godzilla’s social decontextualizing.
Tag: Marchan the dwarf
Godzilla: Destroy All Monsters (1968) review [The Godzilla Project]
Honda delivers another narrative in which Otherness is feared and a deceptive imaginary sense of societal harmony is subtly celebrated.
Son Of Godzilla (1967) review [The Godzilla Project]
Fukuda’s second narrative nevertheless constitutes an infantilisation of the evocative and metaphorical dimension of Godzilla.
psychocinema 