A competent sequel that will please audiences and invites spectators to explore Sato’s classic.
Tag: Machiko Ono
Anime Supremacy (2022)
A light-hearted glance at the inner-workings of the anime-machine.
Amiko (2022) review [Japan Cuts 2023]
A fabulous narrative that explores the destructive effects caused by the radical misunderstanding that marks the field of speech and the refusal to speak to one’s child as a subject.
Funky Forest: the first Contact (2005) review
“Strange, mundane, surprising, deadpan funny, funky, and ethereal all rolled into one.”
A Madder Red (2021) review [Nippon Connection 2022]
Machiko Ono and Yuki Katayama breathe extra-ordinary life and realism into the pain, the hopes, the white lies, the tears, the smiles, and the anger of contemporary female subjects subjected to a phallically-structured societal system. Highly recommended.
The Family (2021) review
“A highly original yakuza narrative that beautifully touches upon the importance that the (idealized) figure of the father can have for a subject’s lifepath.”
Stormy Family (2019) review [Nippon Connection 2021]
“A great narrative that succeeds in exploring the very way that imaginary injuries and resentments erode family bonds, by causing a subjective blindness for the suffering of the other.”
Dynamite Graffiti (2018) review [JFFH 2019]
(A narrative that movingly) reveals the productive as well as the destructive effects a certain fantasmatic solution to the enigma of female desire can have.
Museum (2016) review [Screening at Fantasia Film Festival].
“And while a deeper exploration of Haruka and Shouta’s subjective perspective could have made Sawamura’s quest for redemption even more powerful, Museum does provide the tension, the thrills and the plot twists any great thriller narrative should have.”
psychocinema 