Wolves, Pigs and Men (1964)

Fukasaku and Junya Sato’s decision to go beyond Nikkatsu’s Borderless Action and Toei’s nostalgic Ninkyo fantasies to critique the capitalistic current within the post-war societal field and its perverting effects on interpersonal bonds gave birth to a shockingly beautiful experience that is as relevant today as it was in the sixties.

Abashiri Prison (1965) review

Teruo Ishii delivers an interesting exploration of the frailty of the social bond between criminals as well as the trauma that, in some cases, animates the criminal reflex.