An incredibly satisfying film that does not merely show that subjects need the lie but also that it is, by virtue of fiction, that our signifiers have effects on the other.
Tag: Hiroki Sano
Good Luck (2025) review [OAFF 2025]
Shin Adachi utilizes the dynamic of the encounter to examine the problem of desiring within the societal field and the way desire give rise to misunderstanding between subjects.
Short Movie Time: Long-Term Coffee Break (2022) [Female Gaze – Japan Society]
Fuelled by great performances and a visually pleasant composition, Fujita confronts the spectator with the subjective weight of a symbolic commitment and the phantasmatic nature of marital harmony.
F is For Future (2019) review [Nippon Connection Online]
“An impressive debut by Teppei Isobe.”
psychocinema 