Uchiyama delivers a masterpiece that does not merely grab the spectator by his throat, but confronts him with the fundamental importance of the signifier in a heartrending way.
Tag: Hayato Isomura
Tokyo Revengers 2: Bloody Halloween – Destiny (2023) review
A prime example of a cinematic narrative that is solely made for the fans of the manga and the anime.
Ripples (2023) review [Camera Japan Festival]
With her quirky sense of humor, she delivers one of the most illuminating explorations of the effect the gap between the imaginary equilibrium of the ego and the hidden broiling subjective discord has on relational functioning.
Plan 75 (2022) review
Hayakawa hauntingly confronts the spectator with what would happen if the existence of the subject was radically reduced by the government to how much he/she financially contributes to the society.
Offbeat Cops (2022) review
Uchida delivers what very well might be the feel-good movie of the year.
The Fish Tale (2022) review [Fantasia Film Festival]
A very heart-warming and touching narrative that shows that a subject does not necessarily need to make use of the neurotic solution to inscribe himself within the societal fabric.
What she Likes (2021) review [22nd Nippon Connection]
“Kusano succeeds in delivering a quite atypical romance narrative.”
The Family (2021) review
“A highly original yakuza narrative that beautifully touches upon the importance that the (idealized) figure of the father can have for a subject’s lifepath.”
Tokyo Revengers (2021) Review [Fantasia Film Festival]
“An exciting blend of satisfying violence, tensive moments, surges of pleasing lightheartedness, and touching emotional moments.”
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