Outrage Beyond (2012) review


“A [tense] (…) voyeuristic trip through the private spaces of the gokudōsha [that unfortunately is not able] to underline the futility of violence [in the same palpable way as its predecessor].”


When Takeshi Beat released Outrage (2010), it was clear that he personally wanted to try something different with the Yakuza genre he was already so well acquainted with, e.g. Sonatine (1993) and Hanabi (1997). Takeshi Kitano introduced more dialogue, changed the narrative into an ensemble piece, and aimed to create a documentary-like narrative of characters killing each other.

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