An incredible tour-de-force that hits home.
Tag: film
My Sunshine (2024) review
A bittersweet celebration of youth – seishun, celebrates the importance of the encounter and of desire, the force that pushes the subject towards inter-subjective connection.
Teki Cometh (2024) review [Camera Japan Festival]
A vivid and mesmerising experience that does not only illustrates the subjective impact of increased isolation on giving meaning to one’s own life – on the stability of the frame of one’s ego.
Evil Does not Exist (2023) review
Ryusuke Hamaguchi offers a highly meditative exploration of the position of violence within the natural Real and the human symbolic, the realm of speech.
The Man Who Failed To Die (2025) review [Camera Japan Festival]
Seiji Tanaka refuses to colour within the lines of comedy, creating an eclectic collage of different genre-elements that does not fail to satisfy the spectator.
The Killer Goldfish (2025) review [Camera Japan Festival]
An absurd brutal supernatural fantasy that has the potential to become a cult-favourite.
8 films to watch in preparation for Ghost of Yotei
In this short article, we want to introduce people, who are new to the Japanese cinema, to a few easily accessible films to prepare themselves for the game and immerse themselves in the themes that the game will explore.
Truth or Lies (2025) review [OAFF 2025]
An incredibly satisfying film that does not merely show that subjects need the lie but also that it is, by virtue of fiction, that our signifiers have effects on the other.
Sympathy For The Underdog (1971) review
This is not merely classic that speaks to those who felt lost due to the rapid shifts that upheaved the Japanese societal field after the second world war, but continues to speak to those who feel out-of-place, who feel like Gunji unsuited for this world of ‘criminal’ suits.
There Was A Father (1942) review
A quintessential Ozu narrative that, despite its age, still succeeds in engaging the spectator.
Honeko Akabane’s Bodyguards (2024) review [Fantasia Film Festival]
Ishikawa delivers an engaging narrative with some satisfying twists, many funny moments, and pleasing action-sequences.
Fantasia 2025: Movies to look forward to.
Discover our recommendation for this year’s Fantasia Film Festival.
Transcending Dimensions (2025) review [Nippon Connection]
A masterpiece, a culmination of his past disillusionment with the societal Other and his interest in spiritualism and rebirth born from being mistreated by the Other of the law.
River Returns (2025) review [Nippon Connection 2025]
Masakazu Kaneko convinces the spectator to go beyond the consumptive way of interacting with the other and have more eye and ear for the subjectivity of the Other.
Hell Dogs (2022) review
For the hardened fan of the genre, Harada’s newly bottled old wine will be a frustrating experience that delivers nothing more than a sprinkle of excitement.