My Sunshine (2024) review

A bittersweet celebration of youth – seishun, celebrates the importance of the encounter and of desire, the force that pushes the subject towards inter-subjective connection.

Teki Cometh (2024) review [Camera Japan Festival]

A vivid and mesmerising experience that does not only illustrates the subjective impact of increased isolation on giving meaning to one’s own life – on the stability of the frame of one’s ego.

Evil Does not Exist (2023) review

Ryusuke Hamaguchi offers a highly meditative exploration of the position of violence within the natural Real and the human symbolic, the realm of speech.

8 films to watch in preparation for Ghost of Yotei

In this short article, we want to introduce people, who are new to the Japanese cinema, to a few easily accessible films to prepare themselves for the game and immerse themselves in the themes that the game will explore.

Truth or Lies (2025) review [OAFF 2025]

An incredibly satisfying film that does not merely show that subjects need the lie but also that it is, by virtue of fiction, that our signifiers have effects on the other.

Sympathy For The Underdog (1971) review

This is not merely classic that speaks to those who felt lost due to the rapid shifts that upheaved the Japanese societal field after the second world war, but continues to speak to those who feel out-of-place, who feel like Gunji unsuited for this world of ‘criminal’ suits.

Hell Dogs (2022) review

For the hardened fan of the genre, Harada’s newly bottled old wine will be a frustrating experience that delivers nothing more than a sprinkle of excitement.